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Εμφάνιση αναρτήσεων με ετικέτα ταινία. Εμφάνιση όλων των αναρτήσεων

Τρίτη 5 Μαρτίου 2013

Paradise Now


Είδος: Ταινία
Γλώσσα: Arabic, English
Υπότιτλοι: English
Χρονολογία: 2005, Palestine
Σκηνοθεσία: H. Abu-Assad
Διάρκεια: 90'


http://www.imdb.com/title/tt0445620/


The story places two close friends, Palestinians Said and Khaled, recruited by an extremist group to perpetrate a terrorist attack in Tel-Aviv, blowing up themselves. However, things go wrong and both friends must separate in the border. One of them, maintaining in his purpose of carry the attack to the end, and the other will have his doubts about it.




Σάββατο 9 Φεβρουαρίου 2013

Elling


Είδος: Ταινία
Γλώσσα: Norwegian
Υπότιτλοι: English
Χρονολογία: 2001, Norway
Σκηνοθεσία: P. Naess
Διάρκεια: 89'






A Diamond in the Dust,
In a world of big blockbuster movies, it is wonderful to know that there are still films like "Elling"--even if it is subtitled from Norwegian. The interactions between the characters throughout the film require superb acting and they get it. Elling and Kjell Bjarne who are mentally re-acclimating to society live together and play off of each other's quirks evoking comedy and sympathy in a fine balance. Kjell Bjarne, a large slob, and Elling, a fragile man suffering from obsessive compulsive disorder and removal anxiety from his mother, evoke laughter and sympathy. It is a pity that films like "Elling" are so rare compared to the huge-budget monstrosities we call entertainment. Films like "Elling" bring the art back into film-making. 
Author: andersb17



Παρασκευή 15 Ιουνίου 2012

Zift (2008)



Είδος: Ταινία
Γλώσσα: Bulgarian
Υπότιτλοι: Ελληνικά
Χρονολογία: 2008, Bulgaria
Σκηνοθεσία: J. Gardev
Διάρκεια: 92'

http://www.imdb.com/title/tt1264914/




Moth is freed on parole after spending time in prison on wrongful conviction of murder. Jailed shortly before the Bulgarian communist coup of 1944, he now finds himself in a new and alien world - the totalitarian Sofia of the 60s. His first night of freedom draws the map of a diabolical city full of decaying neighbourhoods, gloomy streets and a bizarre parade of characters.




Παρασκευή 25 Μαΐου 2012

Ulak (The Messenger)


Είδος: Ταινία
Γλώσσα: Turkish
Υπότιτλοι: Ελληνικά
Χρονολογία: 2008, Turkey
Σκηνοθεσία: C. Irmak
Διάρκεια: 95'






Another masterpiece from the one of most intellectual and creative directors of Turkey. Story is also by Irmak.

1- The incredible soundtracks that takes you away is by E.Reboutsika who won the World Soundtrack Award in 2006 by another Irmak movie "Babam ve Oglum" (My Father and My Son) 2- Cetin Tekindor presents one of the best actings I've ever seen. He paralyses the audience. Especially, the scene he begins to cry when he finishes his story and the children are talking about the Messenger they dream of.. 3- Story is very allegoric. No time and no place. And the presentation of this story is very original, since there are parts like "Dream of Ferhat", "Reality of Zekeriya", "Book of Mehmet" 4- Although lots of messages are given, the most emphasized is "The one who knows but keeps silence is as much guilty as the one who commits." In fact it seems to refer to the Military Regime started in 1980 and to the society that did not want to talk about it for years. Not only that, but also every society that stay silent against the evil kind. 5- The end is much more original. Story ends with "Dream of Saffet", which means it is your turn to dream about the end.

Author: kaan from Turkey

 

Πέμπτη 26 Απριλίου 2012

Ali Zoua: Prince of the Streets



Είδος: Δράμα / Drama
Γλώσσα: Arabic, French
Υπότιτλοι: English
Χρονολογία: 2000, Morocco
Σκηνοθεσία: N. Ayouch
Διάρκεια: 95'



http://www.imdb.com/title/tt0260688/



Storyline: Ali, Kwita, Omar and Boubker are street kids. The daily dose of glue sniffing represents their only escape from reality. Since they left Dib and his gang, they have been living on the portside of Casablanca. They live in constant fear of Dib's revenge. Ali wants to become a sailor - when he was living with his mother, a prostitute, he used to listen to a fairy tale about the sailor who discovered the miracle island with two suns. Instead of finding his island in the dream, Ali and his friends are confronted with Dib's gang. Matters are getting serious.

 

Δευτέρα 27 Φεβρουαρίου 2012

The Heart Is a Lonely Hunter

Είδος: Ταινία
Γλώσσα: English
Υπότιτλοι: Αγγλικά
Χρονολογία: 1968, US
Σκηνοθεσία: Robert Ellis Miller
Διάρκεια: 124'




http://www.imdb.com/title/tt0063050/






Author: lilybear5923 from CA
A story of one man's isolation from others by the fact of being a deaf-mute individual with apparently only one true friend (another deaf-mute whom he love's like a brother). In spite of this physical disability he becomes an important part of all the other characters involved by being a confidant and sounding board for their lives. His patience and quiet concern and attention allows them to sort through their own motives and problems and come to an understanding of them.

Unfortunately because of this disability he remains isolated from being able to take comfort from them when he needs it most. The HEART of the story. To be able to give so much and yet still be denied the love and understanding of the very people you have helped so much.

A wonderful and introspective movie about feelings and motivations. View it if you can. 


Παρασκευή 4 Νοεμβρίου 2011

Bab'Aziz - The Prince That Contemplated His Soul

Είδος: Ταινία
Γλώσσα: Αραβικά/Περσικά
Υπότιτλοι: Αγγλικά
Χρονολογία: 2005, Iran/Tunisia
Σκηνοθεσία: Nacer Khemir

Διάρκεια: 96'







Bab'Aziz - The Prince Who Contemplated His Soul is the story of a blind dervish named Bab'Aziz and his spirited granddaughter, Ishtar. Together they wander the desert in search of a great reunion of dervishes that takes place just once every thirty years. With faith as their only guide, the two journey for days through the expansive, barren landscape. To keep Ishtar entertained, Bab'Aziz relays the ancient tale of a prince who relinquished his realm in order to remain next to a small pool in the desert, staring into its depths while contemplating his soul. As the tale of the prince unfolds, the two encounter other travelers with stories of their own--including Osman, who longs for the beautiful woman he met at the bottom of a well, and Zaid, who searches for the ravishing young woman who fled from him after being seduced by his songs. A fairytale-like story of longing and belonging, filmed in the enchanting and ever-shifting sandscapes of Tunisia and Iran. The film facilitates the viewer's transit from the material world outside to the spiritual world within.


Δευτέρα 30 Μαΐου 2011

The Insider_Eng subs

 Είδος: Ταινία
Γλώσσα: Αγγλικά
Υπότιτλοι: Αγγλικά
Χρονολογία: 1999, US
Σκηνοθεσία: Michael Mann

Διάρκεια: 157'


http://www.imdb.com/title/tt0140352/ 


Balls-out "60 Minutes" producer Lowell Bergman sniffs a story when a former research biologist for Brown & Williamson, Jeff Wigand, won't talk to him. When the company leans hard on Wigand to honor a confidentiality agreement, he gets his back up. Trusting Bergman and despite a crumbling marriage, he goes on camera for a Mike Wallace interview and risks arrest for contempt of court. Westinghouse is negotiating to buy CBS, so CBS attorneys advise CBS News to shelve the interview and avoid a lawsuit. "60 Minutes" and CBS News bosses cave, Wigand's hung out to dry, Bergman is compromised, and the CEOs of Big Tobacco may get away with perjury. Can the truth will out? 
 

Κυριακή 15 Μαΐου 2011

Rashomon (ελληνικοί υπότιτλοι)

 Είδος: Ταινία
Γλώσσα: Ιταλικά
Υπότιτλοι: Ελληνικά

Χρονολογία: 1950, Japan
Σκηνοθεσία: Akiro Kurosawa

Διάρκεια: 84'
 
http://www.imdb.com/title/tt0042876/


Ένας μοναχός και ένας ξυλοκόπος μαζί με έναν τρίτο βρίσκουν καταφύγιο από μια καταιγίδα σε ένα εγκαταλελειμμένο κτίριο με την ονομασία Ρασόμον. Ο μοναχός και ο ξυλοκόπος αφηγούνται στον τρίτο την ιστορία ενός δολοφονημένου σαμουράι του οποίου το πτώμα ανακάλυψε ο ξυλοκόπος στο δάσος. Είχαν κληθεί και οι δύο να καταθέσουν στο δικαστήριο· ο ξυλοκόπος γιατί βρήκε το πτώμα και ο μοναχός γιατί είχε συναντήσει τον σαμουράι και την γυναίκα του πριν το φόνο. Τρεις ακόμα άνθρωποι κατάθεσαν ενώπιον του δικαστηρίου: ο γνωστός κλέφτης και κατηγορούμενος για τον φόνο Ταζομάρου, η γυναίκα του σαμουράι και ο ίδιος ο δολοφονημένος σαμουράι μέσω ενός μέντιουμ. Και οι τρεις λένε μια παρόμοια ιστορία, που όμως μεταξύ τους αντιφάσκουν γιατί ο καθένας ψεύδεται βάζοντας την αιτία με το μέρος του. 
Μια βαθιά ψυχολογική ματιά στον άνθρωπο, από τον κορυφαίο ίσως σκηνοθέτη του 20 αιώνα, τον Ιάπωνα Ακίρο Κουροσάβα.     


Δευτέρα 25 Απριλίου 2011

Ikiru (Να Ζεις)

Είδος: Ταινία
Γλώσσα: Ιαπωνικά
Υπότιτλοι: Ελληνικά

Χρονολογία: 1952, Japan
Σκηνοθεσία: Akiro Kurosawa

Διάρκεια: 143'


http://www.imdb.com/title/tt0044741/

Ο Βατανέμπε, ένας προϊστάμενος στο δήμο, μαθαίνει ότι πάσχει από καρκίνο και δεν έχει περισσότερο από 1 χρόνο ζωής. Ο Κουροσάβα (σκηνοθεσία, σενάριο) μας δίνει μια πανέμορφη παραβολή για την ζωή. Ikiru σημαίνει στα Ιαπωνικά "Να ζεις". Είναι μια ταινία του 1952 που μιλάει κατευθείαν στην καρδιά.



Ikiru ("to live")is a Kurosawa film devoid of samurai or Toshiro Mifune. It is an oddity in his canon, neither an adaptation, nor an epic, or even a detective story. Instead, it is the simple and touching story of the last months of the life of a man, Watanabbe, public official, who decides to give a meaning to his life by transcending the obtuse and stiff mind of government bureaucracy to get a small public children's park built. As a parable for the soulless workings of modern bureaucracy, the goal is set pretty high, and Kurosawa goes even further, giving this story a lot of character, frequent humor, life and, most of all, heart. And going beyond the strengths of the direction and script, is the central performance by Takashi Shimura (later Kambei in Seven Samurai). Shimura gives his character such a transparently good heart and such great pain that every second of Watanabe's plight and struggle tugs at your heart, not in an overwhelmingly sentimental manner, but in one than feels honest and pure. If even many hardened souls will be drawn to tears, it is not for pity, but, admirably, because of envy for Watanabe's beautiful human dignity in the end, and for a film to have such power is beyond pure accomplishment, as the need to see this and, more importantly, feel it, goes beyond pure necessity... 
by OttoVonB (Switzerland)





Έτοιμο και για κατέβασμα με ενσωματωμένους ελληνικούς υπότιτλους σε 4 μέρη εδώ:
http://www.mediafire.com/?ejtdae3t6812ldn
http://www.mediafire.com/?hdcggyf5a8dmtcd
http://www.mediafire.com/?eb27bkohnycolls
http://www.mediafire.com/?ij5n55ode3goqwa


Δευτέρα 28 Μαρτίου 2011

Rabbit-Proof Fence

Είδος: Ταινία
Γλώσσα: English, Aboriginal
Υπότιτλοι: English
Χρονολογία: 2002, Australia
Σκηνοθεσία: Phillip Noyce

Διάρκεια: 94'


A Scathing Attack on Racism, 2 December 2002
Author: Howard Schumann from Vancouver, B.C.

"And miles to go before I sleep/ And miles to go before I sleep"
- Robert Frost

Set in Western Australia in 1931, Rabbit-Proof Fence, a new film by Australian director Philip Noyce (The Quiet American, Clear and Present Danger), is a scathing attack on the Australian government's "eugenics" policy toward Aboriginal half-castes. Continuing policies begun by the British, the white government in Australia for six decades forcibly removed all half-caste Aborigines from their families "for their own good" and sent them to government camps where they were raised as servants, converted to Christianity, and eventually assimilated into white society.

Based on the 1996 book, "Follow the Rabbit-Proof Fence" by Doris Pilkington Garimara (Molly Kelly's daughter), the film tells the story of three Aboriginal girls, 14-year old Molly Kelley, her 8-year old sister Daisy, and their 10-year old cousin Gracie. It shows their escape from confinement in a government camp for half-castes and their return home across the vast and lonely Australian Outback. It is a simple story of indomitable courage, told with honest emotion. Abducted by police in 1931 from their families at Jigalong, an Aboriginal settlement on the edge of the Little Sandy Desert in northwest Australia, the three girls are sent to the Moore River Native Settlement near Perth. Here the children must endure wretched conditions. Herded into mass dormitories, they are not allowed to speak their native language, are subject to strict discipline, and, if they break the rules, are put into solitary confinement for 14 days.

Followed by the Aborigine tracker, Moodoo (a great performance from David Gulpilil), the girls make their escape. Using a "rabbit-proof fence" as a navigation tool, they walk 1500 miles across the parched Outback to return to Jigalong. The rabbit-proof fence was a strip of barbed-wire netting that cut across half of the continent and was designed to protect farmer's crops by keeping the rabbits away. The girls walked for months on end often without food or drink, not always sure of the direction they are going, using all their ingenuity and intelligence along the way just to survive. The stunning Australian landscape is magnificently photographed by Christopher Doyle, and a haunting score by Peter Gabriel translates natural sounds of birds, animals, wind and rain into music that adds a mystical feeling to the journey.

The performances by amateur actors Evelyn Sampi, Tianna Sansbury, and Laura Monaghan (who had never seen a film before let alone acted in one) are authentic and heartbreakingly affecting. Though the white officials and police are characterized as smug and unfeeling, they are more like bureaucrats carrying out official policies than true villains. Kenneth Branagh gives a strong but restrained performance as Mr. Neville, the minister in charge of half-castes. Rabbit-Proof Fence is an honest film that avoids sentimentality and lets the courage and natural wisdom of the girls shine through. This is one of the best films I've seen this year and has struck a responsive chord in Australia and all over the world. Hopefully, it will become a vehicle for reconciliation, so that the shame of the "Stolen Generation" can at last be held to account.




Σάββατο 22 Ιανουαρίου 2011

The See that Thinks

Είδος: Ταινία
Γλώσσα: Nederlands
Υπότιτλοι: English subtitles
Χρονολογία: 2000, ΝL
Σκηνοθεσία: Gert de Graaff

Διάρκεια: 98'









Incredible optical illusions in a story in a story in a story helps the surprised viewer finally to find out that he has been watching himself all along.

The Sea That Thinks is a surprising film about itself. A film overflowing with twists and turns and new angles. It focuses on Bart, a scriptwriter who is writing the script for this film. In the film, Bart himself plays the scriptwriter writing the script of The Sea That Thinks. He types what he does and does what he types. In his film, he finds the answer to the urgent question: How do we find happiness? He uses stunning examples to show us that our world is only to be found in our consciousness. What is real and what is illusion? Do we believe in our dream world while we dream? Do we believe in the reality of film while we see it? And why? His combination of pictures and text has a hypnotic effect on the viewer. It provides an exciting, dislocating and humorous adventure. Later it also becomes apparent that the film is not about this tormented scriptwriter at all. In a game filled with optical illusions and continually changing points of view, the surprised viewers gradually find out they are looking at themselves: How do I observe? What do I assume to be true? What do I think I see? What do I think I am? The viewer turns out to bear a striking similarity to the Sea that thinks it's a Tree. (Gert de Graaff)



This stylistically sophisticated visual game presents ‘a story within a story'. The protagonist is scriptwriter Bart Klever who fights persistently with his new text – which is, at the same time, the screenplay of the film we're watching. In the movie Bart plays a scriptwriter writing the script of the film… Bart's struggle with the text becomes a narrative theme, as does the environment of the flat where he works and takes care of his little girl. The intimate environment offers ample opportunity for games of illusion involving space, light, colours and a couple of cats. The outwardly simple world of the room is further complicated by the unstable dimensions of a text continually influenced by the film-maker's interventions, which appears on a computer monitor and serves as a counterpoint to the similarity mutable environment. The constantly changing viewing angle complicates answers to questions which arise: What is ‘truth' and what ‘illusion' ? Which of the observed worlds is primary and superior to the rest? Can anything serve as a basic orientation point in the narrative space? (IMDB comment)


The Sea That Thinks - Winner of the following awards:     *     Joris Ivens Award - IDFA Amsterdam (the Netherlands)     *     Golden Key Award for Best Cinematography - Art Film Festival, Trenclanske Teplice (Slovakia)     *     Special F.I.C.C. Jury Award - Art Film Festival, Trenclanske Teplice (Slovakia)     *     Experimental Feature - DIFF Award, Dahlonega International Film Festival (U.S.A.)     *     Grand Prix best experimental feature  - Rhode Island International Film Festival (U.S.A.)     *     Best First Feature Film Award - Wine Country International Film Festival (U.S.A.)     *     Oscar-nomination of the European Film Academy   

PS. In order to watch the film without 'loading pauses' press start and then pause. Wait until enough minutes are already loaded (visible within the duration line). 
ΥΓ. Για να δείτε ολόκληρη την ταινία χωρίς διακοπές πατήστε την έναρξη και μετά παύση. Περιμένετε ωσότου αρκετά λεπτά της ταινίας έχουν φορτωθεί (ορατό στη γραμμή διάρκειας της ταινίας).




http://www.tudou.com/programs/view/xp4awZ-RuCI/


I would suggest to all the viewers that have enjoyed this film to look the information - interview of the director in the following page: http://www.dezeediedenkt.nl/ (in English or Dutch)

Επίσης ένα άρθρο βασισμένο στα σχόλια του σκηνοθέτη μπορείτε να διαβάσετε εδώ: http://sobaresapopseis.blogspot.com/2011/01/blog-post.html

Παρασκευή 3 Δεκεμβρίου 2010

Network

Είδος: Ταινία
Γλώσσα: English
Υπότιτλοι: -
Χρονολογία: 1976, US
Σκηνοθεσία: Sidney Lumet

Διάρκεια: 121'




http://www.imdb.com/title/tt0074958/ 

Author: dead47548 from United States
I can't put it more perfectly than Turner Classic Movies' Robert Osborne who said "What was originally a satire is a stinging mirror of television news today." I strain to think of a film that is a more brilliant take on society, and all of the flaws it has. It's obedience and entertainment by those who rebel, no matter how insane they are. The exploitation of those in peril for any kind of economic profit. And the fact that everything Beale preaches is completely true and completely bashes the people who are producing him. I was amazed by how much he sells out while continuing to rant about how terrible the people he works for are, and the fact that they just keep him on the air because they want ratings.

It couldn't be more related to today. Turn on the news and you see videos of how horrific the war on terror is and how horrific American society has become, but it stays on the air because people don't want to see the good things in life. They care about the bad and the corrupt. People must have laughed it off back then, but it was such a foreshadow to the near future. The performances are just as brilliant as the social commentary. Each actor becomes so absorbed into their characters that you can't even tell they're acting. It feels like you're watching these people in their daily lives, interacting and becoming more and more corrupt. Finch and Dunaway easily give two of the greatest performances of all time. I just have to say that it's so rare to find a film as incredibly flawless as this.


Σάββατο 20 Νοεμβρίου 2010

The Cube

Είδος: Ταινία (horror, mystery, thriller, sci-fi)
Γλώσσα: English
Υπότιτλοι:
-
Χρονολογία: 1997, Canada
Σκηνοθεσία: Vincenzo Natali
Διάρκεια: 88'






Author: Christopher Byrne from Brisbane, Australia
Cube is a movie that explores human nature and our instinctive urges for survival vs our humanitarianism. Not a new concept, I know, however this movie does it in style, with a plot so simple that it could only be the work of a conceptual genius. I don't intend to give too much away, as the power of the film lies in it's mystery, but I will say that this movie could almost be classified as disturbing, not due to its content, but rather the thoughts that it instills in the audience. I found myself rather shaken as I left the cinema, feeling as though I had been exposed to an ugly, hidden side of humanity and society. Don't get me wrong, this movie is definitely worth seeing, I would even be so bold as to say that it must be seen! I must admit that there are few movies I have seen that have had such a profound affect on me, and I don't think I am alone in my feelings.


Download here the whole trilogy with greek subtitles or watch it here without subtitles


Τρίτη 1 Ιουνίου 2010

Waiting List

Είδος: Ταινία
Γλώσσα: Spanish
Υπότιτλοι:
English
Χρονολογία: 2000, Cuba
Σκηνοθεσία: Juan Carlos Tabio
Διάρκεια: 102'




A desperate group of people wait at a run-down Cuban transit station for the next bus to arrive. The problem is, it never shows up. While a number of buses pass by the station, and others that are either full or at the end of the line stop by, it soon becomes obvious that the bus everyone was waiting for has left them high and dry. While one of the would-be passengers, Emilio, uses his downtime to win the affections of the beautiful Jacqueline, most of the rest decide that if they're stuck without anywhere to go, they might as well make the station a better place to wait, and they begin forming a plan to turn the decrepit bus terminal into a show-place that people would look forward to visiting.

It is a simple movie, pleasant and well directed. Fresh air: a collective dream where the characters give the best of themselves.You feel criticism and meanwhile deep hope in potentialities of Cuba society.




Σάββατο 27 Μαρτίου 2010

Κυριακή 14 Μαρτίου 2010

Οι Απόντες

Είδος: Ταινία
Γλώσσα: Ελληνικά
Υπότιτλοι: -
Χρονολογία: 1996 , GR
Σκηνοθεσία: Νίκος Γραμματικός
Διάρκεια: 115'

Η ταινία παρακολουθεί τις σποραδικές συνευρέσεις έξι ανθρώπων στη διάρκεια μιας επταετίας που συμπίπτει με τα κρίσιμα χρόνια της κοινωνικής τους ένταξης, καταγράφοντας τις σποραδικές συναντήσεις τους στο νησί της καταγωγής τους, το σκηνικό του κοινού τους παρελθόντος. Κάθε φορά που "επιστρέφουν" στο νησί, κουβαλάνε -αναπόφευκτα- τα ίχνη των προσωπικών επιλογών τους, αλλά και της σύγχρονης ελληνικής πραγματικότητας, μιας πραγματικότητας, που -αργά, αλλά σταθερά- τους αλλάζει, τους διαβρώνει, χαλαρώνοντας τους δεσμούς τους, με αποτέλεσμα τη σταδιακή απώλεια της επικοινωνίας ανάμεσά τους. Το τέλος της εποχής των συλλογικών πραμάτων θα τους βρει σκορπισμένους, αντιμέτωπους με την αυγή μιας εποχής στην οποία κυριαρχούν οι ατομικές λύσεις και επιδιώξεις. (από http://www.filmfestival.gr/tributes/1999-2000/80films/films/76.html).

http://www.tovima.gr/default.asp?pid=2&ct=34&artid=84170&dt=01/12/1996






















 

Παρασκευή 8 Ιανουαρίου 2010

Monty Python's Life of Brian


Είδος: Ταινία (σάτυρα)
Γλώσσα: English
Υπότιτλοι: -
Χρονολογία: 1979, UK
Σκηνοθεσία: Terry Jones

Διάρκεια: 94'


http://www.imdb.com/title/tt0079470/

A motion picture destined to offend nearly two thirds of the civilized world. And severely annoy the other third.

Σάββατο 19 Δεκεμβρίου 2009

12 Angry Men


Είδος: Ταινία
Γλώσσα: English
Υπότιτλοι: -
Χρονολογία: 1957, US
Σκηνοθεσία: Sindney Lummet

Διάρκεια: 96'

http://www.imdb.com/title/tt0050083/ 

No Dissonance,

Author: tedg (tedg@FilmsFolded.com) from Virginia Beach
This film deserves to be on anyone's list of top films. My problem is that it is so perfect, so seamlessly polished, it is hard to appreciate the individual excellences.

The acting is top notch. I believe that monologue acting is quite a bit simpler than real reactive ensemble acting. Most of what we see today is monologues pretending to be conversations. But in this film, we have utter mastery of throwing emotions. Once the air becomes filled with human essence, it is hard to not get soaked ourselves as the camera moves through the thick atmosphere. Yes, there are slight differences in how each actor projects (Fonda internally, Balsam completely on his skin...) but the ensemble presents one vision to the audience.

The writing is snappy too. You can tell it was worked and worked and worried, going through several generations. It is easy to be mesmerized by this writing and acting, and miss the rare accomplishment of the camera-work. This camera is so fluid, you forget you are in one room. It moves from being a human observer, to being omniscient, to being a target. It is smart enough to seldom center on the element of most importance, so expands the field to all men.

This is very hard. Very hard, to make the camera human. So much easier to do what we see today -- acknowledge the machinery and jigger with it. Do we have a filmmaker today who could do this?

Ted's Evaluation -- 4 of 3: Every cineliterate person should experience this.























Παρασκευή 11 Δεκεμβρίου 2009

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